Tutorials

Rendering and Texturing in 3ds Max

Posted by Users on 2011/05/13
Posted in: Downloads, Tutorials, Videos. Tagged: .

[img]http://preview.url-dead/img/1311211.jpg[/img]
[b]Rendering and Texturing in 3ds Max with_Ramy_Hanna[/b]

[img]http://preview.url-dead/img/1311261.jpg[/img]
3DS Max Rendering Iridescence w/ the Shellac Material
Duration: 23 min
In this tutorial, Ramy Hanna covers the funadamentals of creating iridescent materials in 3ds Max. Iridescence is an optical phenomenon in which hue changes depending on the angle at which it is being viewed. Iridescence can be seen in cds, shells and bubbles. Ramy starts with a reflective material and details how he uses Max’s Shellac material to create a three channel material that accurately recreates the optical effect of iridescence.

[img]http://preview.url-dead/img/1311271.jpg[/img]
3DS Max Texturing with Arch & Design Mental Ray Materials
Duration: 64 min
Ramy Hanna, goes through texturing 9 different materials with the Arch & Design shader through Mental Ray for 3ds Max 2009. He covers materials such as plastic, cloth, chrome, glass, concrete, brick and wood all in this 60 minute tutorial. This tutorial is a must for anyone needing a crash course on architectural texturing. Materials covered are: plastic, cloth, chrome, glass, concrete, brick, painted walls, and wood.

[img]http://preview.url-dead/img/1311281.jpg[/img]
Lighting Interior Spaces
Duration: 70 min
In Lighting Interior Spaces, Ramy Hanna will demonstrate the techniques necessary to achieve, not only beautiful and realistic interior renders, but will also show you how to optimally set up your renders for speed and efficiency. This tutorial will discuss topics such as Global Illumination, Final Gather, as well as using Photometric Lights for the most realistic interior renders.

fileserve.com
http://www.fileserve.com/file/tHA2H3N/_Rend_and_Text_in_3dsMax.part1.rar
http://www.fileserve.com/file/S4jwSjW/_Rend_and_Text_in_3dsMax.part2.rar
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http://www.fileserve.com/file/VEUWZSz/_Rend_and_Text_in_3dsMax.part5.rar

url-dead
http://www.url-dead/file/979272004/_Rend_and_Text_in_3dsMax.part1.rar
http://www.url-dead/file/986007644/_Rend_and_Text_in_3dsMax.part2.rar
http://www.url-dead/file/986013094/_Rend_and_Text_in_3dsMax.part3.rar
http://www.url-dead/file/986018454/_Rend_and_Text_in_3dsMax.part4.rar
http://www.url-dead/file/986018244/_Rend_and_Text_in_3dsMax.part5.rar

FXPHD MAR101 – Introduction to Mari

Posted by Users on 2011/05/13
Posted in: 3D, CG Releases, Learning, Linux, Textures, Torrent, Tutorials, Videos. Tagged: , .


MAR101 – Introduction to Mari


Professor: Gareth Jensen

Our first ever course in Mari is designed to get everybody up to speed with this new and excitingly powerful 3D painting package from The Foundry. Mari is a great leap forward in professional texture painting by being both users friendly and capable of dealing with a staggering large amount of resolution. Professor Gareth Jensen been working with Mari for the past few years as it was developed at Weta Digital and has continued to use it at Double Negative where he currently works. fxphd members will have access to Mari on Linux via the fxphd VPN.

Jensen comes from a background of physical film effects including make-up/prosthetics and painting ranging from props through to miniatures. Mari allows him to take a similar approach to texturing a digital asset by automatically seaming multi-patch UV’s giving a much more complete hands-on feel, similar to that of painting a physical model.

In this course we will be covering the basics to get you up and running, including a breakdown of the tools and palettes that you will find yourself most often using. We will be covering such great tools as paint through, heal/tow and the remarkable warping tools. We will going through the concept of Mari’s shaders and channels system as well as its comprehensive masking options.

Over the course of the term we will be taking an asset from start to finish. f you work like Jensen you probably like using all the tools at your disposal so we will also show how Mari works easily with other packages. I will be going over basic process of working in conjunction with Nuke and also the wonderfully simple to use camera projection set up for all your Photoshop projections.

In Jensen’s 10 years of experience within the film industry, he has had the opportunity to work for both physical effects as well as digital and even began his career as a creature actor for Lord of the Rings. Having previously studied make-up and prosthetics for film in New Zealand his role in the industry further progressed with the renowned Weta Workshop where he was involved in major productions such as King Kong, 30 Days of Night, District 9, Prince Caspian and more recently Avatar. Developing his skills amongst some of the best artists in the industry, Jensen has also trained as a creature and props painter and it was during the production of Avatar that he made the decision to expand his role into the digital world. Switching over to Weta Digital as a texture and look dev artist on Avatar, Jensen has been able to work with Mari during its development and has now used it for over 2 years and is continuing to use it within Double Negatives production pipeline. His background in physical effects has left him with a strong base understanding of how to paint realistic textures and being able to use Mari as his digital medium has made this transition a lot smoother.

Class 1:
A guided tour of the Mari GUI introducing the contents of the toolbox and a brief overview of the pallets. We will also be looking at setting up your project and talk about the subject of resolution.

Class 2:
Approaching an asset by gathering ideas and putting a solid aim together. We will be covering setting up projectors in Mari and using them with Photoshop to design a paint scheme. I will also show you how to create and store custom palettes inside Mari.

Class 3:
In this class we look at cleaning up our projections and become familiar with object handling and fast paint application using both 3D and UV views.

Class 4:
An introduction to the Mari shader system and a demonstration in how to use Mari with Maya texturing tools.

Class 5:
In this class we will be learning how to version up geometry in the object tab, as well as how to paint a metal mask.

Class 6:
In this class we will start to combine the powerful tools and methods we have learnt so far to create interesting and believable rust masks.

Class 7:
In this class we will be looking at ways to use textures in Mari that have been produced in other applications. We will also be going over techniques for weathering your asset.

Class 8:
In this class I will be showing you how to bake shaders out of Mari and also how to apply the power of Nuke to your texturing workflow.

Class 9:
Painting a human hand, in this class I am going to show you one approach to painting skin in Mari. Part 1 of 2.

Class 10:
Painting a human hand, in this class I am going to show you one approach to painting skin in Mari. Part 2 of 2



http://www.url-dead/file/990791314/Fxphd_mari101.part1.rar
http://www.url-dead/file/990791174/Fxphd_mari101.part2.rar
http://www.url-dead/file/990791194/Fxphd_mari101.part3.rar
http://www.url-dead/file/990802884/Fxphd_mari101.part4.rar
http://www.url-dead/file/990802814/Fxphd_mari101.part5.rar
http://www.url-dead/file/990802774/Fxphd_mari101.part6.rar


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http://www.wupload.com/file/517641/Fxphd_mari101.part5.rar
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http://bitshare.com/files/2o9qpeym/Fxphd_mari101.part1.rar.html
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http://bitshare.com/files/fyrc415y/Fxphd_mari101.part6.rar.html 

 

http://cgpeers.com/torrents.php?id=3047 

 


Thanks to kinetik-ninja and the clan for this awesome tutorial!

FXPHD VUE201 – A Comprehensive Guide to Vue

Posted by Users on 2011/05/12
Posted in: CG Releases, Mac, Torrent, Tutorials, Videos. Tagged: , .

VUE201 – A Comprehensive Guide to Vue Taught by Eran Dinur, this course offers a comprehensive approach to learning Vue, with an emphasis on workflow
and techniques needed for effectively using it in various professional production scenarios.
From creating assets for matte painting and compositing to animating and rendering complete 3D scenes.
Vue has gained a prominent position in the industry as a tool for creating rich and detailed 3D natural scenery
and there’s an ever-growing demand for competent Vue artists.

We will first cover all of the main aspects of Vue – the different atmospheric models, polygonal and procedural terrains,
EcoSystems, animation, materials and plant editing, and then dig deeper into more complex areas such as fractal functions
and multi-layered shaders. Keeping in mind the needs of matte painting and compositing, we will also explore Vue’s extensive
multi-pass rendering, matte generation and export options.

Class 1: Introduction to Vue
– We will look at some of the strengths and unique capabilities of Vue. Then we?ll build a simple scene,
which will allow us to get familiar with the interface and various editors.

Class 2: Plants and EcoSystems
– After examining Vue?s SolidGrowth plants, We?ll take a close look at Vue?s fantastic distribution system.
We?ll explore the different approaches to setting up EcoSystems, from free-hand painting to defining distribution
and interaction rules.

Class 3: Atmosphere and lighting
– Mastering the atmospheric models in Vue is essential for achieving good looking renders.
We will devote most of the class to the Spectral atmosphere and volumetric clouds,
and will also take a short look at the standard model and environment mapping.

Class 4: Terrains
– We?ll go through the different terrain types (height field, procedural, large scale and infinite),
and explore terrain hand-sculpting and erosion techniques, as well as basic function editing,
and spherical terrains.

Class 5: Materials and natural distribution
– We will create textured and procedural materials and layer them using natural distribution rules.
We will also create water material and explore transparency, refraction and murkiness.

Class 6: The function Editor
– In this class we will dig deep inside Vue?s powerful node-based function editor,
and learn how to create elaborate terrains and materials using fractal algorithms and filters.

Class 7: Animation
– Importing cameras from external applications, camera and object animation,
animating atmospheres and clouds, wind animation and ventilators,
animating water materials and terrains.

Class 8: Rendering and exporting
– Vue has an extensive multi-pass rendering system, and we?ll take a close look at the various passes
and their potential usage.
We?ll also look at render quality configurations, as well as object and material export options.

Class 9: Advanced Techniques 1
– Displacement, sub-surface scattering, Hyper textures and camera projection mapping.

Class 10: Advanced Techniques 2
– More lighting, terrain, material, plants and EcoSystem techniques.

Rapidgator

http://rg.to/file/3fde53c027121fd3311ace6a83b331df/FXPHDVUE201.part1.rar.html
http://rg.to/file/40b7bd412355384d8879f9d1b69fdcfa/FXPHDVUE201.part2.rar.html

Oboom

https://www.oboom.com/Q4X0P8GQ
https://www.oboom.com/LS2243N3

Uploaded

http://ul.to/7qzu9jiu
http://ul.to/do3tbr35

The Pixel Farm PFTrack, PFPrep, PFClean, PFMatchit (x64 Win/Linux/Mac)

Posted by Users on 2011/05/12
Posted in: 3D, Downloads, Softwares, Videos, Windows. Tagged: .

https://i.imgur.com/b3Oo7.jpg

The Pixel Farm PFTrack, PFPrep, PFClean, PFMatchit (x64 Windows/Linux/MacOSX) By XFORCE

PFTrack
PFTrack 2011 has been completely re-written as a 64-bit, GPU-accelerated application, allowing scalable performance as more robust components becomes available, while vastly improving processing speeds on modest computer hardware. Significant increases in productivity are accomplished through The Pixel Farm’s distinctive node-based flowgraph architecture. The Tracking Tree allows artists to experiment with multiple techniques in a non-linear, non-destructive environment to achieve the most accurate solution possible. Newly designed Image Modelling tools, with full-resolution Texture Extraction, generate detailed geometry for scene fitting, shadow boxing, and set reconstruction. PFTrack’s per-pixel Z-Depth now supports masks to specify the relative depth ordering of objects in the scene, producing a grey-scale depth map image and triangular mesh geometry. Geometry Tracking now supports deformable groups, allowing a triangular mesh to deform as it’s vertices track a non-rigid moving object, such as an actor’s face while speaking. Extensive image processing capabilities include Shutter Fix for correcting the rolling shutter errors of footage originating from CMOS sensor cameras, Transform Clip for cropping, resizing and rotating source footage, a new Optical Flow node for calculating and exporting dense motion fields, vector-based keyframable Retiming, unsurpassed Lens management, and a host of Enhancement functions for making footage more “trackable”.

PFMatchit
PFMatchit has been released in response to customer demand for a lower entry point to The Pixel Farm’s technology and is the first product to harness the company’s new 64-bit, node-based flowgraph architecture. This new technology dramatically improves the fundamental processes involved in camera tracking, one of the most important areas of successful VFX creation, ushering in unprecedented levels of flexibility, control, accuracy and speed.

PFPrep
From creating dailies through to full DI image preparation, PFPrep has it all. The focused yet well chosen toolset cherry picks the renowned image processing technologies from PFClean to provide the industry’s finest, single solution for prepping footage for all aspects of present-day film production, regardless of content origination. GPU acceleration of the complex image algorithms in combination with integrated batch processing ensures the fastest and most accurate results across footage of any type and resolution, within schedule and budget.

PFClean
When PFClean hit the film restoration community in 2004 it provided the well needed breath of fresh air in a market dominated by technical products that offered little consideration for productivity and deadline deliveries. Delivering many industry firsts such as the unique ‘non destructive’ metadata toolset, completely automated dustbusting and a complete conform/editing toolset, PFClean was quickly established as the remastering and digital restoration package to own, where we lead, others can only follow. Since its release, a large number of renowned facilities rapidly adopted the package for its vast toolset, ease of use, productivity and outright ability to deliver. These facilties include, Deluxe, Technicolor, Ascent, UPP, Pixeon, Adlabs, The Criterion Collection, Cinerec, Arri Film TV services, Cinepost, Nordisk Film to name but a few.

 

 

The Pixel Farm Windows Products

PFTrack
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——————-Or——————-
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PFPrep
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——————-Or——————-
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PFMatchit
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——————-Or——————-
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PFClean
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——————-Or——————-
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——————————————————————————————————->

The Pixel Farm Linux Products

 

PFTrack
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——————-Or——————-
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PFPrep
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——————-Or——————-
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PFMatchit
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——————-Or——————-
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PFClean
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——————-Or——————-
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——————-Or——————-
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PFClean
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——————-Or——————-
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PFPrep
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——————-Or——————-
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PFMatchit
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——————-Or——————-
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Introduction to 3ds Max

Posted by Users on 2011/05/11
Posted in: Downloads, Miscellaneous, Tutorials, Videos. Tagged: .

[img]http://preview.url-dead/img/1268911.jpg[/img]
Introduction to 3ds Max Tools and Workflow with_Jeremy_Engleman | 1.38 GB
3d_Studio Max is an industry leading application for design visualization, game_development and visual effects. 3ds Max is powerful and flexible enough for professionals, but intuitive enough for the beginner. Whether new to 3ds Max or new to 3D, these lectures provide ample discussion of the tools needed to create visually rich imagery and animations. User interface foundations are presented, focusing on 3ds Max’s ease and simplicity.
Learn core concepts as well as efficient, professional modeling, animation, texturing and lighting techniques.

User Interface Overview
Object Creation
Command Panel
Path Animation
Modeling Basics
Normals
Subdivision Surface Modeling
UVs/Mapping Coordinates
Material Editor
Material Libraries
Light Types
Shadow Maps
Raytraced Shadows
Render Setings

Chapters
1. Getting Started
2. Modeling Basics
3. Modeling Techniques
4. Texturing
5. Lighting

fileserve.com
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The “Techniques of Neville Page” Collection

Posted by Users on 2011/05/11
Posted in: Downloads, Miscellaneous, Tutorials, Videos.

[img]http://preview.url-dead/img/1276411.jpg[/img]
The Techniques of Nev.ille Page, Volumes 1 – 4
8hr 24min | 2.45GB | 3DSportal special
1.Character Design – Fantasy Wildebeest
Neville breaks down the development of character design and drawing into a systematic process that is easy to follow and easy to implement. He starts off with a very free form approach utilizing black/white thumbnails to create strong silhouettes. This also helps to take the edge off of the potential intimidation at the start of a project. Neville shows you how to create plausible anatomy, form delineation via simple primitive shape studies and surface detailing such as skin, wrinkles, hair and graphics.
2.Digital Painting – Fantasy Wildebeest
Drawing on the content from his Character Design and Sketching DVD, Neville paints a quick photo-realistic illustration using techniques employed within Photoshop. He starts off by establishing a color palette and value study by generating a small thumbnail painting. This becomes the foundation for the final illustration. Neville demonstrates various texture brushes and glazing techniques to create a quick, yet realistic representation of animal skin. The lesson reveals techniques for hair and detailing, as well as graphic treatments and color shifting. Neville also shows how to create a simple photographic studio setting for your character.
3.Rendering Eyes
Making eyes appear rich and soulful is critical to conveying character. In “Rendering Eyes”, Neville Page clearly describes a process for rendering beautiful, frightening, or appropriately horrible eyes. Detailing the anatomy of the eye, he explains how to approach the various details that contribute to a natural looking eye including reflection, glossiness, refraction, color, veins, the iris and wetness. Whether you choose to start with an existing sketch, render from scratch, or paint over a rough sculpture ? all of which are described during the course of the lesson ? these techniques are crucial to any character rendering.
4.Rendering Flesh
In this lecture, Neville leads you methodically through the process of creating a wet, fleshy creature. First emphasizing the importance of reference, the properties of fleshy surfaces are deconstructed. Neville teaches how to create custom brushes by sampling from an image, how to define the diffuse, specular and translucent qualities of flesh, and he also provides a thorough reflectivity demonstration. Leaving little to chance or guesswork, through process and technique, Neville illustrates the ways in which he achieves his character?s disturbingly real skin textures

url-dead
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http://www.fileserve.com/file/JqyDUeq/_pagteq14_.part15.rar
http://www.fileserve.com/file/U3nERNz/_pagteq14_.part16.rar
http://www.fileserve.com/file/gRqVemX/_pagteq14_.part17.rar

Imagineer Systems Mocha Pro v2.5.2 For Win/Mac/RedHat 32/64bit

Posted by Users on 2011/05/09
Posted in: 3D, CG Releases, Downloads, Plugins, Softwares, Videos, Windows. Tagged: , .

Imagineer Systems Mocha Pro v2.5.2 For Windows/MacOSX/RedHat x32Bit/x64bit

mocha Pro – Ultimate VideoFX Utility. mocha Pro delivers all the planar tracking and rotoscoping tools from award winning software, mocha and adds compositing tools for match moving, auto image and wire removal, clean plate generation, lens distortion correction and stabilization, to deliver an all-in-one master VFX tool set. By combining the best of legacy products mokey and monet, Imagineer now offers one product with all the features. mocha Pro’s remove module is the industry’s most unique alternative to painting, cloning & manual tracking.

Leveraging more than 8 years of engineering research and development, mocha Pro offers digital media artists a powerful, intuitive and innovative planar tracking-based solution with a streamlined interface, accelerated workflow and the power to easily track and manipulate shots not possible with traditional solutions. mocha Pro is the ideal VFX complement for film/video post production, creative motion graphics and 2D-3D conversion pipelines.

– one tool, all the features – 64 bit optimized
– object removals & clean plate generation
– lens distortion correction
– offset & 3D offset tracking
– insert compositing & mesh warper
– planar tracking & roto export to After Effects, Flame, Nuke & more

Planar tracking innovation. mocha is a stand alone tracking & roto software designed to complement any compositing and finishing environment. mocha’s unique planar tracker and streamlined interface allows artists to easily track shots where point trackers fail: shots with noise, shots with motion blur and shots that go offscreen or are obscured. Artists can quickly and easily solve difficult tracks and export transform, scale, rotation and perspective keyframe data to the industry’s most popular packages such as After Effects, Final Cut Pro, Motion, Flame, Smoke, Combustion, Avid DS, Quantel generationQ, Shake, Digital Fusion and Nuke. Tracking screen inserts and stabilizing camera jitter has never been easier!

Rotoscoping and matte creation. Isolating and extracting objects is at the heart of all visual effects compositing and 2D to 3D conversion projects. mocha’s advanced bezier and x-spline shape creation tools give compositors the tools they need to create highly accurate and realistic roto mattes with variable edge feathering. Linking shapes to the planar tracker allows the artist to create mattes with far less manual keyframes. mocha can render mattes with motion blur for any as well as export shape data for Flame/Flint/Inferno, Shake, Combustion, After Effects and Final Cut Pro.

Features:
– 2.5D planar tracking
– AdjustTrack module
– 64 bit optimized
– Improved user interface
– OGL accelerated matte rendering with motion blur
– X-spline and Bezier roto tools with per-point edge feathering
– Stabilize & smooth module with AutoFill render
– Open EXR Support
– Automatic object and rig removal module with optional clean plate inserts
– Lens distortion analysis with distort & undistort render function
– Insert composite module
– Offset & 3D offset surface composting & track export
– Mesh warper distortion tool
– Multi-pass rendering (render matte, fill, comp)


Export roto data to:
– Apple: Final Cut Pro (with mocha shape for Final Cut plug-in)
– Autodesk Flame, Smoke, Combustion: GMasks
– Nuke & Nuke X
– After Effects CS3, CS4, CS5 (with mocha shape for After Effects plug-in)
– Eyeon Fusion (via ssf export)
– Shake

Recommended Hardware:
Processor: Intel Core 2 Duo or equivalent
Memory: 2 GB +
Disk: High-speed disk array
Graphics Card: NVDIA Quadro FX 1500 or equivalent
Monitor: 1200×800 or higher

Minimal Requirements:
Processor: At least 1-GHz Pentium IV or PowerPC G4
Disk: At least 1 GB
Memory: At least 1 GB
Graphics card: Must support OpenGL
Monitor: Minimum resolution 1200×800 pixels

Export track data to:
Autodesk: Flame, Smoke, Combustion
Adobe After Effects CS3, CS4,CS5
Apple: Final Cut Pro & Finl Cut Express
Apple Motion
Apple Shake
Avid|DS
Quantel generationQ (requires free mocha for Quantel plug-in)
Eyeon Fusion
Nuke

Language: ????/english
OS: Windows XP / Vista / Windows 7 / Mac OS X 10.5 or higher / Linux
Homepage: http://anonym.to/?http://www.imagineersystems.com/

FileSonic.com

Windows

32Bit
http://www.url-dead/file/950099134/Imagineer.Systems.Mocha.Pro.v2.5.2.zip

64Bit
http://www.url-dead/file/950094804/Imagineer.Systems.Mocha.Pro.v2.5.2.X_x64.zip
—————————————–

Linux

32Bit
http://www.url-dead/file/950099154/Imagineer.Systems.Mocha.Pro.v2.5.2.REDHAT.zip

64Bit
http://www.url-dead/file/950099184/Imagineer.Systems.Mocha.Pro.v2.5.2.REDHAT_x64.zip
—————————————–

Mac OS X


32Bit
http://www.url-dead/file/950095181/Imagineer.Systems.Mocha.Pro.v2.5.2.MACOSX.zip

64Bit
http://www.url-dead/file/950099144/Imagineer.Systems.Mocha.Pro.v2.5.2.MACOSX_x64.zip

———————————————————————Or———————————————————————

FileSERVE.com

Windows

32Bit
http://www.fileserve.com/file/mB9FxZ8/Imagineer.Systems.Mocha.Pro.v2.5.2.zip

64Bit
http://www.fileserve.com/file/8TTzPKm/Imagineer.Systems.Mocha.Pro.v2.5.2.X_x64.zip

—————————————–

Linux

32Bit
http://www.fileserve.com/file/F6fj6Aj/Imagineer.Systems.Mocha.Pro.v2.5.2.REDHAT.zip

64Bit
http://www.fileserve.com/file/ZGu2WNN/Imagineer.Systems.Mocha.Pro.v2.5.2.REDHAT_x64.zip

—————————————–

Mac OS X
32Bit
http://www.fileserve.com/file/dTyG3Bj/Imagineer.Systems.Mocha.Pro.v2.5.2.MACOSX.zip

64Bit
http://www.fileserve.com/file/HkXCBRs/Imagineer.Systems.Mocha.Pro.v2.5.2.MACOSX_x64.zip

LiveAction & CG 3 – A Comprehensive Guide to Compositing

Posted by Users on 2011/05/09
Posted in: Downloads, Miscellaneous, Tutorials, Videos. Tagged: .

[img]http://preview.url-dead/img/1262951.jpg[/img]

Live_Action & CG 3 – A Comprehensive Guide to Compositing
In this DVD, Instructor_Matt_Skonicki takes you through the entire process of compositing 2 HD Shots with 3D integration. The best part of this tutorial is it uses Autodesk Composite for compositing which ships free with Autodesk Maya 2011.
Matt_starts off by taking you On Location to demonstrate the capturing of the raw plate and HDRI images. From there he goes through creating the final HDRI image in Photoshop. The next chapters include detailed tracking in SynthEyes, setting up the scene in Maya, creating masks in After Effects, Animation of the 3D objects in Maya, adding particle effects, lighting, and render layers. Last, Matt composites the final scenes in Autodesk Composite.
This tutorial is perfect for those who want an “Out of the Box” comprehensive tutorial on compositing 3D into your own camera footage primarily using Autodesk Maya and Composite.
http://preview.url-dead/img/1262791.jpg
http://preview.url-dead/img/1262801.jpg
http://preview.url-dead/img/1262821.jpg
http://preview.url-dead/img/1262831.jpg

Apps: Autodesk Maya 2011, Autodesk Composite 2011, SynthEyes, After Effects CS5, Photoshop
Duration: 8.5 Hours
Size: 1.5 GB

fileserve.com
http://www.fileserve.com/file/2PZnD2a/_e3D_LAction&CG 3 - A Compr_G_to_Comp.part01.rar
http://www.fileserve.com/file/thcsncE/_e3D_LAction&CG 3 - A Compr_G_to_Comp.part02.rar
http://www.fileserve.com/file/g4Gv7Df/_e3D_LAction&CG 3 - A Compr_G_to_Comp.part03.rar
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fileserve.com
http://www.url-dead/file/952584441/_e3D_LAction&CG 3 - A Compr_G_to_Comp.part01.rar
http://www.url-dead/file/952584481/_e3D_LAction&CG 3 - A Compr_G_to_Comp.part02.rar
http://www.url-dead/file/952584471/_e3D_LAction&CG 3 - A Compr_G_to_Comp.part03.rar
http://www.url-dead/file/952584491/_e3D_LAction&CG 3 - A Compr_G_to_Comp.part04.rar
http://www.url-dead/file/952584461/_e3D_LAction&CG 3 - A Compr_G_to_Comp.part05.rar
http://www.url-dead/file/952559694/_e3D_LAction&CG 3 - A Compr_G_to_Comp.part06.rar

D’artiste Dartiste Matte Painting

Posted by Users on 2011/05/08
Posted in: CG Releases, Downloads, Ebooks, Learning, Tutorials. Tagged: , .

dartiste
D’artiste Dartiste Matte Painting | 122Mb
d’artiste: Matte Painting showcases the skills and techniques of leading Hollywood matte painters Alp Altiner, Dylan Cole and Chris Stoski. In over 70 pages of detailed tutorial this book takes readers through the matte painting techniques used to create breathtaking, photo-realistic sets and backdrops for films including ?Star Wars: Revenge of the Sith? and the ?Lord of the Rings? trilogy.

The master artists also share unique personal insights, biographical highlights and sources of inspiration. Added to personal and invited artist galleries presenting over 80 perfectly reproduced environmental backdrops this book is for film enthusiasts and artists alike.

download
http://www.url-dead/file/919294011/DArtisteMattePaintingBook.rar
—or—
http://www.fileserve.com/file/A689nHG/DArtisteMattePaintingBook.rar

Pixar’s RenderMan Certified Courseware

Posted by Users on 2011/05/08
Posted in: 3D, CG Releases, Downloads, Ebooks, Tutorials, Videos. Tagged: .

Pixar’s RenderMan Certified Courseware

Education
RenderMan knowledge is a sought after skill in the industry

Pixar’s RenderMan Certified Courseware

From introductory concepts to advanced production techniques, Pixar?s RenderMan Certified Courseware is the perfect educational resource for everyone from the beginner to the advanced professional. With contributions from the world?s most accomplished visual effects and feature animation studios, you will learn both how RenderMan works and how RenderMan is applied in real-world production.

Download

http://www.url-dead/file/932671311/Advanced_Features.zip
http://www.url-dead/file/932671351/VFX02.zip
http://www.url-dead/file/932671361/Slim_andRSL04.zip
http://www.url-dead/file/932671371/Slim_andRSL02.zip
http://www.url-dead/file/932671401/VFX01.zip
http://www.url-dead/file/932671411/Slim_andRSL03.zip
http://www.url-dead/file/932671441/Volumetrics.zip
http://www.url-dead/file/932677634/Rendering02.zip
http://www.url-dead/file/932677384/Miscellaneous_Techniques01.zip
http://www.url-dead/file/932677404/Procedurals.zip
http://www.url-dead/file/932677194/Outputs_and_Passes.zip
http://www.url-dead/file/932677714/Fundamentals_Videos.zip
http://www.url-dead/file/932677214/Lighting.zip
http://www.url-dead/file/932677234/Slim.zip
http://www.url-dead/file/932677524/Pixar_RenderMan_Courseware_3.0pdf.zip
http://www.url-dead/file/932677274/Rendering01.zip
http://www.url-dead/file/932677544/Rendering03.zip
http://www.url-dead/file/932677294/Miscellaneous_Techniques03.zip
http://www.url-dead/file/932677314/Render_Dispatching.zip
http://www.url-dead/file/932676551/Slim_andRSL01.zip
http://www.url-dead/file/932677614/Miscellaneous_Techniques02.zip
http://www.url-dead/file/932677364/RIB_Archiving.zip
http://www.url-dead/file/932683274/Rendering04.zip

——————–Or———————-

http://www.fileserve.com/file/gQqxsg2/Rendering02.zip
http://www.fileserve.com/file/9dRqEG5/Pixar_RenderMan_Courseware_3.0pdf.zip
http://www.fileserve.com/file/qdSC9DU/Outputs_and_Passes.zip
http://www.fileserve.com/file/EAzKvyj/Slim_andRSL02.zip
http://www.fileserve.com/file/YZz4vnt/Advanced_Features.zip
http://www.fileserve.com/file/Ecspqzw/Rendering03.zip
http://www.fileserve.com/file/HTmjBC5/Slim_andRSL03.zip
http://www.fileserve.com/file/V9r9ERM/VFX02.zip
http://www.fileserve.com/file/pbepW7h/Volumetrics.zip
http://www.fileserve.com/file/4tqS4fR/Render_Dispatching.zip
http://www.fileserve.com/file/k9eg4uq/Lighting.zip
http://www.fileserve.com/file/WAPfcvk/Miscellaneous_Techniques02.zip
http://www.fileserve.com/file/b8Z7tTJ/Rendering01.zip
http://www.fileserve.com/file/2fwbbzq/RIB_Archiving.zip
http://www.fileserve.com/file/27p435a/Rendering04.zip
http://www.fileserve.com/file/EqxAbpa/Procedurals.zip
http://www.fileserve.com/file/CeJ38wQ/VFX01.zip
http://www.fileserve.com/file/EDzbq3G/Miscellaneous_Techniques01.zip
http://www.fileserve.com/file/YfY4zuQ/Slim_andRSL01.zip
http://www.fileserve.com/file/P2ZCBza/Slim_andRSL04.zip
http://www.fileserve.com/file/BmCz6xb/Fundamentals_Videos.zip
http://www.fileserve.com/file/DauX9uG/Slim.zip
http://www.fileserve.com/file/KrNJbzs/Miscellaneous_Techniques03.zip