if you regularly work on projects requiring removal of wires, rigs, logos, faces, lens flares, scratches, hair-in-gate, warped frames, lens distortion and so on then
mokey offers you the ability to improve productivity on traditionally very labour intensive work.
mokey allows you to save shots that otherwise could not have been saved within the budget constraints of the client.
mokey complements your existing investment in post production hardware/software by being compatible with most other packages, such as Autodesk Discreet, Avid DS, Adobe After Effects, Quantel generationQ, Apple Shake and other compositing and editing systems.
Below you will find a description of the mokey toolset. Once you have read this, why not download mokey and try it for yourself?
mokey is a product that complements your main editing, compositing, DI and film restoration systems. It offers a very advanced toolset that provides you with an alternative approach to solving an array of problems that usually would be more time consuming and more difficult to achieve accurately in other packages.
mokey at work:
Repairing telecine issues
Below is an example of repairing a film sequence that was warped during a telecine transfer.
Repairing damaged film
This is an example of repairing a damaged film sequence, by treating the damaged regions or scratches as foreground elements and using Object Removal to repair the sequence. This is a very similar workflow to removing foreground wires.