Appropriate for all | 1h 46m | 2.01 GB | Project Files | Software used: Premiere Pro
Title: Lynda – EPK Editing Workflows 01: Ingest to Assembly Edit
Info: Info: This course is the first in a series on producing content for a music video EPK, or electronic press kit, using the tools in Adobe CC. Here Maxim Jago covers the media acquisition and management stage of the process, which ends in an assembly edit?a rough edit that illustrates how the director would like to structure the final film. You’ll learn how to use Adobe Prelude and Premiere Pro to organize mixed-media files, ingest them, transcode them, work with metadata, and use automation to speed up your edit, before preparing a simple assembly edit to present to editors or collaborators.
Stay tuned for future courses in the series, which will cover the other steps in the workflow, all the way up to the finished music video.
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Appropriate for all | 1h 52m | 1.85 GB | Project Files | Software used: Premiere Pro
Title: Lynda – EPK Editing Workflows 02: Creative Editing and Fine-Tuning
Info: It can be difficult to achieve a rich look and feel for electronic press kits, or EPKs, given the fast turnaround they usually demand. But using the creative editing and fine-tuning techniques shown in this course, you can achieve “picture lock” at an early stage in the process.
In the previous installment of EPK Editing Workflows, Maxim Jago showed you how to ingest media and build a basic assembly edit from your favorite shots. Here you’ll take that rough cut and fine-tune it using a number of industry-standard trimming techniques that work in just about every nonlinear editing system. You’ll learn how to take your edited sequence from an assembly to a precise cut, with temporary effects and transitions that will help you nail down the final visual look of your video.
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Appropriate for all | 1h 49m | 1.87 GB | Project Files | Software used: After Effects, Premiere Pro, SpeedGrade
Title: Lynda – EPK Editing Workflows 03: Color Correction, Visual Effects, and Finishing
Info: Electronic press kits (EPKs) have a distinct look, which comes from the composition but also the color of the shots. In this installment of EPK Editing Workflows, you’ll learn how to assess your visuals, control contrast, match shots, and choose a look for your finished edit. Author Maxim Jago shows how to compare in-camera footage with behind-the-scenes material, and make creative choices about blending them together. He also shares some beautiful special effects for adding flair to visuals. The final chapters show you how to put it all together, and make your Adobe CC workflow even more efficient, with presets.
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Appropriate for all | 1h 54m | 2.10 GB | Project Files | Software used: Audition, Premiere Pro
Title: Lynda – EPK Editing Workflows 04: Audio Cleanup and Special Effects
Info: Often, the documentary content in an electronic press kit (EPK) is recorded using semiprofessional or consumer-level equipment. The microphones on consumer cameras and mobile phones generally do a poor job of leveling sound and excluding unwanted background noise. In this installment of [i]EPK Editing Workflows[/i] filmmaker Maxim Jago shows you how to clean up and enhance audio issues like these, while improving the sound quality and adding creative special effects that make your finished project more impactful.
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Appropriate for all | 2h 05m | 1.75 GB | Project Files | Software used: Premiere Pro
Title: Lynda – EPK Editing Workflows 05: Titles, Graphics, and Output
Info: Once your EPK is edited and visually enhanced, and has a complete audio mix, it’s time to add the titles and graphics and output the final video. This installment of [i]EPK Editing Workflows[/i] shows you how to choose a look and then quickly create the text and graphics with Adobe Premiere Pro and Photoshop. You’ll learn some simple but smart tricks for blending your footage with your newly created content, and tips for making sure your levels are still legal for broadcast. Finally, you’ll discover how to output your finished media using the Adobe Media Encoder. These tutorials will help you achieve a consistent, recognizable style for your titles and graphics?one that’s similar to the original subject matter but distinct enough to let viewers know they’re watching something different.
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Appropriate for all | 2h 22m | 2.33 GB | Project Files | Software used: Premiere Pro CC
Title: Lynda – EPK Editing Workflows 06: The Final Product
Info: What do you get when you combine all five installments of [i]EPK Editing Workflows[/i]? An electronic press kit that truly shines. This final installment walks you through the way Maxim Jago creates a finished, professional press-kit video, using a mixture of techniques described in previous lessons, from selecting content and adding effects to outputting your master project. Maxim describes the actual choices he made, the creative and technical background of those choices, and the techniques that made the project work.
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