Plugins

Mainconcept MPEG Pro HD v4.1.1 Plug-In for Adobe Premiere Pro and Codec Suite 5.0

MainConcept MPEG Pro HD 4 is a full-featured editing and export Plug-In for Adobe Premiere Pro CS3 and CS4. It offers full support for the whole Sony XDCAM camcorder and deck generation, Panasonic P2 AVC-Intra and DVCPRO camcorder series as well as full MPEG and H.264/AVC support.

MainConcept MPEG Pro HD 4 is a set of full-featured editing and export Plug-Ins for Adobe Premiere Pro and CS4. They offer full support for the whole Sony XDCAM camcorder and deck generation, Panasonic P2 AVC-Intra and DVCPRO camcorder series as well as full MPEG and H.264/AVC support. The brand new release now comes in five different versions that suit the demand of almost every user working with Adobe?s video-editing flagship ranging from consumers up to professional content creation.

MainConcept GmbH, a wholly-owned subsidiary of DivX, Inc. (NASDAQ: DIVX) and one of the world?s leading providers of video/audio codecs and software development kits (SDKs) to the broadcast, film and consumer markets, today announced the release of MainConcept? MPEG Pro HD 4 Plug-In Suite for Adobe? Premiere? Pro CS4 and CS3 software. This new MPEG Pro HD 4 Plug-In helps professional videographers, editors and producers edit high definition video in various formats.
MainConcept Codec Suite 5, the successor to the popular MPEG Pro HD plug-in from MainConcept, is a set of full-featured, native 64-bit editing and export Plug-Ins for Adobe? Premiere? Pro CS5.

Now available in five different powerful codec format packages, the MPEG Pro HD 4 Plug-In makes it quick and easy to edit video formats such as AVC-Intra in the Adobe Premiere Pro workflow. The newest MPEG Pro HD 4 Plug-In augments existing frame-accurate, native editing of a variety of formats in Adobe Premiere Pro, with full support for formats such as AVC-Intra or XDCAM 4:2:2, among others.

Various MainConcept MPEG Pro HD 4 versions are available:

MPEG Pro HD 4
H.264/AVC & MPEG

MPEG Pro HD 4
XDCAM

MPEG Pro HD 4
DVCPRO

MPEG Pro HD 4
AVC-Intra

MPEG Pro HD 4
Broadcast Suite

The MainConcept MPEG Pro HD 4 Plug-In adds professional enhancements to Adobe’s video editing flagship product, such as Dolby Digital 5.1 output channel support, AVC-Intra Class 50 and 100 support, and many other ready-to-use project, sequence and export presets for all sorts of devices as well as production and broadcast environments.

?Adobe Premiere Pro CS4 provides a comprehensive solution for creative professionals who need to craft world-class video,? said Owen Walker, senior product manager for Adobe Premiere Pro at Adobe. ?MainConcept?s new plug-in extends the capabilities of Adobe Premiere Pro CS4 to an even greater range of workflows, such as those involving AVC-Intra codecs. We are pleased that MainConcept is dedicated to supporting Adobe software and providing even more options for our customers working in a wide range of formats.?

?Users will benefit from the unique features and various improvements we?ve added that build on the Adobe Premiere Pro workflow,? said Muzaffer Beygirci, Managing Director and VP Sales of MainConcept GmbH. ?By providing multiple Plug-In options, we have created a comprehensive and cost-effective video editing solution for any production environment.?

Changelog:
Now supports import of Convergent NanoFlash and Flash XDR new MXF file format.
Improved memory management: Less conflicts with Premiere Pro’s memory management.
MPEG-2 HD sequence preset templates for Premiere Pro CS4 with a wide range of render presets for high bitrates, Long GOP and I-Frame-only.
Solved installation problems when Premiere Pro CS4 was installed on a drive other than C:\ on Windows 7.
Entering frame size by keyboard in advanced H.264/AVC settings dialog is now possible again.

Homepage: http://www.mainconcept.com

Download Link :
http://hotfile.com/dl/68566092/3f309a6/Mainconcept_MPEG_Pro_HD_v4.1.1_and_Codec_Suite_5.0.rar.html

Red Giant Knoll Light Factory Pro

Red Giant Knoll Light Factory Pro | v2.7 | 44 Mb
Knoll Light Factory is one of the industry’s most popular motion graphics tools. It is most famous for its high-fidelity simulations of light effects called flares, which simulate reflections from a very bright light source as seen through a camera’s lens. Knoll Light Factory is Hollywood’s go-to tool for adding interest to text or logos or extra pop to FX explosions. Now includes CS5/64 bit compatibility, new custom flares, Knoll 3D Flare and a new Lens Designer for Adobe CS5

System Requirements
PC / Windows:
– Win XP SP1 or later, Vista 32-bit and 64-bit, Win 7 32-bit and 64-bit
– Pentium 4 2.4 GHz or faster (or AMD equivalent)
– 1 GB of RAM
– 30 MB of Hard Drive space
Apple Macintosh:
– Mac OSX 10.4.11 and later
– Mac Intel
– 1 GB of RAM
– 30 MB of Hard Drive space

Host Applications
– Adobe After Effects CS5, CS4, CS3
– Adobe Premiere Pro CS5, CS4, CS3

Download Link :
http://hotfile.com/dl/68561645/8561442/Red_Giant_Knoll.rar.html

IMG

Krakatoa1.6.0.43178 For 3DsMax 2011,2010 32Bit & 64Bit

KRAKATOA? is Prime Focus’ production-proven Volumetric Particle Rendering, Manipulation and Management Toolkit.

It provides a pipeline for acquiring, caching, deforming, shading and rendering vast quantities of particles at unprecedented speed to represent natural phenomena like dust, smoke, silt, ocean surface foam, plasma and even solid objects. Krakatoa? integrates well with Particle Flow, the flexible 3ds Max built-in Event-Driven Particle System, and provides data exchange capabilities for sharing particles with other 3D and simulation applications.

Feature Set
Particle Sources:
Input particles from 3ds Max particle systems like Particle Flow and Thinking Particles.
Use geometry vertices as particles.
Load particle files in Krakatoa?s PRT format, CSV files or RealFlow BIN files.
Rendering Options:
Render using volumetric or additive shading models. The volumetric model simulates attenuation due to the density of particles that the light passes through accurately modeling physical light.
Particles can be rendered as self-illuminated, or with volumetric lighting. Use specular shading when the particles have normals.
Shade particle color and density with 3ds Max material?s color and opacity, or supply a custom color, use blended z-depth and blended camera distance as alternate methods.
Full support for motion and depth of field effects. Use 3ds Max?s built-in multi-pass effects for compatibility.
User can cache particle pipeline results in RAM before or after the lighting phase ? allowing for quick adjustments to lighting parameters or camera placement.
Partitioning
Advanced partitioning enables more particle rendering than 3ds Max can normally process by itself. When running Max in conjunction with Deadline?, users can distribute large particle simulation jobs over multiple machines.
By evaluating the same system multiple times ? with different random seeds for each partition ? Krakatoa? can generate massive particle counts.
Recombine partitioned files and render them as a single particle cloud.
Ultimately, the only limitation on particle counts is your available RAM.
Interaction With Other Renderers
Load specified scene geometry to act as matte objects, obscuring particles from the camera and casting shadows onto particle systems.
Use shadowing attenuation maps created during the rendering process to project shadows from particles onto scene geometry in other renderers. Several provided scripts simplify the process of switching between renderers and re-applying the shadowing attenuation maps to the scene lights.
PRT Loader
Krakatoa?s PRT loader allows users to preview input particle files in the 3ds Max viewport ? and specify how they will load and render in Krakatoa?.
Apply 3ds Max object space and world space modifiers to particles just like any other object.
Use custom geometry to cull volumes for selectively deleting particles.
Playback graph lets users change timing on particle sequences.

? 2010 Prime Focus Software – Designed by Velocity Design Works

All rights reserved. All trademarks contained herein are the property of their respective owners.

If you like this software,Buy it

Enjoy !

CGP Download Mirror:

http://www.fileserve.com/file/7n4BzhC

|

|

|

Krakatoa1.6.0.43178 For 3DsMax 2011,2010 32Bit & 64Bit

Download

Enjoy it !

Play DVD BOY’s

sss
Description: onOne Software FocalPoint-plugin for Adobe Photoshop allows you to identify key image objects through the blur of his secondary areas, and can be used to create effects-governmental vignettes – frames, snapshot, adding more depth and other tasks. He also supported the retention created with the help of effects in the form of templates for multiple uses of the future.

FocalPoint simulates the use of special lenses, filters and nozzles and is popular with photographers, professionalism and Onal, specializing in photographing weddings and other celebrations, as well as the amateurs of portraiture.

FocalPoint – plug-in for Photoshop, designed to create vignettes and adding to the image effect of focus – in the plane of focus object, and all edges. In FocalPoint there are many opportunities to create different effects of this kind, ie You can simulate the effect of “smearing” the motion, obscure or clarify parts of the image, which do not fall into focus, etc.
The plugin supports saving created with the help of effects as templates for reuse in the future.
The new version of the plugin adds support for Adobe Photoshop CS4

OS: WinAll
Language: English
OnOne.FocalPoint.v2.0.2.Update.Only.incl.Keygen-REDT

ddd

sss
PhotoTune – another plugin for Adobe Photoshop by onOne Software, allows you to quickly adjust your digital photos. Plug-in PhotoTune works in three modes: image processing with people, image processing, without people and professional advanced mode. With PhotoTune you can edit the color of human skin, adjust picture clarity, color saturation, color and more. In fact, PhotoTune – a single set of plugins for correcting tone and color of human skin. In normal mode (not professional) plug-in works as a single-step wizard, where all parameters are set automatically and you need only select the desired option from the results of the two images. There is also a small set of built-in presets and it is possible to save settings for future use.

Features:
“The work in three modes: Photos with people without the people and pro-regime
“Step by step wizard that helps you quickly and easily adjust images (photos with people and without)
“Intuitive transform color photos into black and white
“Adjusting the brightness and contrast of images
“Adjust color and tone photos
“Adjusting the color of human skin
“Setting the sharpness and clarity of photos
“The use of embedded preset and save the settings in the presets
“Quick access to FocalPoint 2 of the panel OnOne in Photoshop CS3/CS4
“Integration with Adobe Lightroom

Optimize Color in Just a Few Clicks with PhotoTune
* Perfect color in only 15 seconds
* Simple six-step color wizard automatically adjusts color saturation, contrast and skin tone
* Perfect for wedding and portrait photographers
* Includes PhotoTune for general color correction and Skin Tune for color correcting skin tones

OS: WinAll
Language: English

OnOne.PhotoTune.v3.0.3.Update.Only.incl.Keygen-REDT

ss

sss
OnOne PhotoTools 2.5.1 Professional Update Only and OnOne PhotoTune v3.0.1
Homepage
OS: Windows XP / Vista / 7.
Language: English
File Size: 23.78 MB and 74.84 MB
Full ammunition – Incl.Keygen-REDT

OnOne Software Corporation introduced the updated set of filters, PhotoTools for Adobe Photoshop, for processing digital images. PhotoTools Package offers a range of high-quality special effects, tools for correcting and editing images, as well as automation of the creative process, the combined user-friendly and functional interface.
OnOne PhotoTools 2.5.1 Professional Update Only
High-quality filters can be used to provide color correction and polarization images. With the proposed tool will be able to carry photo-styling digital images under the old photographs or film shots.
In the preview window you can see the effect of each of a hundred and fifty-effects PhotoTools before applying. For each image you can apply multiple effects, also allows the possibility of batch processing of photos. The favorite combination of effects can be stored in a separate file.
vvv

Digieffects

This pack contains:

Aged Film v1.3

Turn back the clock with Aged Film and show which era you set your shot.

Features and Benefits:
* New host support: EDIUS
* Supports a wide range of other host applications including Final Cut Pro, After Effects, Premiere
Pro, Combustion, and Boris RED.
* Includes the ability to customize characteristics such as grain, dust, scratches, frame jitter and
color and all those little details that tell the viewer that they?re looking at historical footage.
* The ability to deinterlace and control source blend and random seed.
* All effects are rendered in 16bpc.
* All Aged Film effects can be animated over time in After Effects.
* Includes dozens of presets such as 8mm, armageddon, grandpa?s attic, old home video,
scratched film, shaky projector, speakeasy, the 70s and much more.
* Fast rendering.

Atmosphere v1.4

Now you can add true 3 dimensional atmospheric falloff in After Effects. No more adding\ semi-
transparent solids between your 3D layers to simulate fog or haze. With Atmosphere you get
true three dimensional fog that gets denser as your layer stretches into the distance.

Use it with multiple layers separated in Z space or rotate your 3D layers on the X or Y axis and
watch them fade off into the distance.

This effect can be added to individual layers for fine control of the effect on each layer or applied
to an entire comp so the effect applies the same parameters to all layers. You have control over
where the fog starts and ends as well as how dense it is and how quickly it falls off.

The only other way to simulate this effect is with elaborate particle generators which add render
time and empty your wallet.

Camera Mapper v1.2.1

Digieffects once again pushes After Effects one step closer to a 3D application. Camera Mapper
takes one of the most popular features from top 3D applications and adds it to your After Effects
arsenal. Now you can turn any 2D image into a three dimensional wonder by simply aligning 3D
solids with features in your image.

Create multi-plane images with 3D parallax from any still image or project your image onto solids
rotated in 3D space to create 3 dimensional objects that move realistically when camera moves
are used. The possibilities are endless. Now instead of a video camera, all you need is a still
image and some imagination.
Key Features:
* Realistically create the illusion that a still image is fully dimensional moving footage.
* Subtly change the perspective of a shot, or animate it over time.
* Can be combined with 3D tracking to add or alter elements in a scene.
* Now you can step back in time and get another chance to move the camera.
* Allows you to stay in After Effects when working with fully dimensional models.

Damage v2.1

You?ve been talking and we?ve been listening. To all of you who thirst to wreak more havoc, the
scores of you who wish to take all that is beautiful and render it visual debris, and for those of you
who have been writing us about all the electronic carnage you daydream about if only you had a
way to do it faster, with more options?
?AND we?ve created Damage 2.0. All the ancient evil of analog signal defects in Skew and
Interference, the modern, coldly unsympathetic digital malfunction of Artifact and stockade?and
now, we?ve harnessed the incompetence at the source. Two new effects in the Damage toolbox,
Destabilize and Overexpose, allow you to go back in time?and not only corrupt your footage, but
also ruin the image of the camera operator?

Falloff Lighting v1.3.2

Another bright idea from Digieffects! Falloff Lighting brings a much needed improvement to the
After Effects lighting system. With Falloff Lighting applied, 3D layers further from the light source
are dimmer than layers that are closer, just like real world lights!

Get realistic light falloff, intense hotspots and enhanced shadow interaction. What?s all of that
mean? Lighting that looks like and behaves like real world lighting! You can apply this effect to
individual layers for fine control, or apply it to an entire composition which effects all layers with
the same settings.

Free Form Displacer 1.62

Displacer brings true three dimensional displacement mapping to After Effects. Displacement
maps can of course be animated, adding effects like rippling water or blowing flags in full 3D
perspective ? no faking. Use mesh subdivision to raise and lower the density of your mesh , and
anti-aliasing settings to work quickly and then switch to a fully refined result.

Free Form Mesh Warp v1.62

3D Mesh Warp adds a third dimension to what you already do with After Effects? built-in Mesh
Warp tool. Select how many rows and columns you divide the image into, then manipulate the
control tangents to create cylinders, curves, ribbons, folding cards, an infinite amount of three
dimensional shapes.

Free Form 1.62

3D Mesh Warp adds a third dimension to what you already do with After Effects? built-in Mesh
Warp tool. Select how many rows and columns you divide the image into, then manipulate the
control tangents to create cylinders, curves, ribbons, folding cards, an infinite amount of three
dimensional shapes.

All plugins are compatible with Adobe After Effects CS4 and CS5

Download Link :

http://hotfile.com/dl/66435657/464ed7d/DigiEffects_Plugins_for_AE_for_CS4__CS5_(PC).rar.html

3d-io UV-Packer v1.10 For 3DsMax 2011, 2010, 2009 32Bit & 64Bit

UV-Packer automatically redistributes all UV charts in a UV map for optimal fit. Do you often find yourself spending a lot of time to rearrange charts generated by pelting or do you need to modify UV maps because the proportions of the UV space or the size of the required padding have changed?
UV-Packer does it with a single click of a button.
It can also rescale the separate UV charts depending on the mesh surface area to even out the pixel distribution across different parts of the mesh.

Changes for version 1.10:

– Added support for Autodesk 3ds Max 2011 and Autodesk 3ds Max Design 2011.

– Added MAXScript support for UV-Packer.

– UV chart input data can now be taken from a different UV map channel to prevent undesired overwrites.

– Padding between UV charts has been adjusted. Charts now also keep correct distance to the edges of the UV map.

– Added options for fixed aspect ratio and user defined preview colors.

– Simplified user interface to make using the plug-in even more intuitive.

3d-io UV-Packer is compatible with: 3D Studio MAX 2011 32 bit,3D Studio MAX 2011 64 bit,3D Studio MAX 2010 32 bit,3D Studio MAX 2010 64 bit,3D Studio MAX 2009 32 bit,3D Studio MAX 2009 64 bit

All rights reserved. All trademarks contained herein are the property of their respective owners.

If you like this software,Buy it

Enjoy !

3d-io UV-Packer v1.10 For 3DsMax 2011, 2010, 2009 32Bit & 64Bit

http://hotfile.com/dl/66971767/d14b0ff/UV-Packer_v1.10_For_3DsMax_2011_2010_2009_32Bit_64Bit.rar.html
Or
http://www.fileserve.com/file/dz5dSjk/3d-io_UV-Packer_v1.10_For_3DsMax_2011__2010__2009_32Bit___64Bit.rar

Many Thanks to Esanti & His cracking Team

Enjoy it !

Play DVD BOY’s