Premiere Pro and After Effects: Adding Handle to Sound Bites with Chris Meyer
Whether you’re editing a documentary film, a TV commercial, or a corporate video, you often need to focus on a specific sentence or phrase that’s part of a longer, perhaps unscripted statement. However, the speaker doesn’t always leave you enough room between phrases to cleanly extract the desired segment
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After Effects
All posts tagged After Effects
Class On Demand – After Effects CS5.5 and CS6: New Creative Techniques
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Duration 1h 39m Level Beginner Project Files Included
Throughout this course we will explore basic character rigging and set-up in After Effects. Using parenting techniques and various expressions, we’ll create a simple character that is easy to animate. We’ll then learn how to use the most of the rig to achieve a great looking animation that follows basic animation principles.
Rapidgator
http://rg.to/file/57fc333b36d666603a008e89ea6502b8/DTRigAniSimCharAE.part4.rar.html
http://rg.to/file/4f7f6ffd5bb0f4f13e8b02c7ebcac6a4/DTRigAniSimCharAE.part1.rar.html
http://rg.to/file/6ba75bf361bc5af8780b2d89989e5e8e/DTRigAniSimCharAE.part2.rar.html
http://rg.to/file/5e9bdc3589e1e325014b773b2d1d15af/DTRigAniSimCharAE.part3.rar.html
Nitroflare
http://www.nitroflare.com/view/4E0C91644911B6E
http://www.nitroflare.com/view/1FFB1E39EE56BDF
http://www.nitroflare.com/view/90062F6273A3157
http://www.nitroflare.com/view/D543A9F1BBD852F
FilmConvert Pro Version 2.09 for After Effects/Premiere Pro/Vegas – Win64
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Duration 5h 6m ?Level Beginner ?Project Files Included 15 FPS MP4
In this series of tutorials, we will learn how to create a shot composite from start to finish. This
course will take you through all of the things that you need to know to get started creating beautiful
and realistic composites in After Effects.
We begin with simply learning how to move around in After Effects and what the most important parts of the interface are. We then move onto bringing assets into our project panel and moving through the layer based compositing workflow. We do everything in this shot from crashing a helicopter, to setting it on fire, to giving the shot a cinematic feel like you see in a movie. You’ll also learn how to track, rotoscope, and create a difference matte among other countless valuable skills.
Whether you are a total beginner, or you know a little bit about After Effects but want to brush up on your skills, this is the course for you. By the end of this course, you will have an amazing new skill and you will have learned some valuable things if you are going to become a serious and professional compositor.
Rapidgator
http://rg.to/file/9576e790ef2239d6a5d02509882fcb04/DTIntoAEEffCom.part4.rar.html
http://rg.to/file/597c469a29aac505f1872f01a05f9ee6/DTIntoAEEffCom.part1.rar.html
http://rg.to/file/f42e6ffe117f48c9f08f76f1756eb47b/DTIntoAEEffCom.part2.rar.html
http://rg.to/file/83e1334879ad495b42dea9ee54a40b64/DTIntoAEEffCom.part3.rar.html
Nitroflare
http://www.nitroflare.com/view/94B76E00AA3FB1F
http://www.nitroflare.com/view/20B86C2B834F02B
http://www.nitroflare.com/view/4F54844E0AA4B7A
http://www.nitroflare.com/view/45DD4141014EFFE
The Foundry has created a Hollywood quality CUDA GPU accelerated retiming plug-in based on their Academy Award?-winning FURNACE algorithms: KRONOS 5.0.
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Plexus is a next generation 3D particle system plugin for Adobe After Effects. Plexus 2 has over 15 exciting new features.
CameraTracker for After Effects? allows you to pull 3D motion tracks and matchmoves without having to leave AE.
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Duration 1h 1m Released January 3 2011 Project Files Included 15 FPS MP4
Previous post of this tutorial was mislabeled and a different tutorial.
In this After Effects tutorial we will learn how to key a greenscreen using multiple layers to capture as much detail as possible. Using multiple layers and keyers, we will be able to focus our efforts and create a better final matte. We will begin the tutorial by importing our footage into After Effects and analyzing the job ahead of us. Then we will create garbage masks to break apart our person into manageable pieces. We will then add Keylight effects to our layers to create an initial key. After that, we will analyze the best way to remove noise on each layer. Then we will fill in our alpha by creating a core matte. Finally we will focus on the hair and all the detailed roto and keying work involved. We will complete the project by doing some heavy-duty rotoscoping work on the bottle.
Rapidgator
http://rg.to/file/96d98aa99ddad6fb4498e1a2bedf8170/DTMulGrKeyiAE.part1.rar.html
http://rg.to/file/82260ab5178cb52596360f8c411d0f13/DTMulGrKeyiAE.part2.rar.html
Filefactory
http://www.filefactory.com/file/3ta4tyqp8l5h/DTMulGrKeyiAE.part1.rar
http://www.filefactory.com/file/12sn1x3q1qy3/DTMulGrKeyiAE.part2.rar
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