Digital-Tutors – Rotoscoping Techniques in After Effects
After Effects
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Lynda – After Effects Guru: Animating Logos
Digital-Tutors – Introduction to Rotoscoping in After Effects
Duration 6h 40m Level Advanced Project Files Included 15 FPS MP43.2GB
In this series of tutorials we will learn how to create a mechanical rig for 3D visualizations in 3ds Max.
We will begin from the concept of the crane, explaining the different parts and how a crane works. Next, we will introduce the rigging tools used, and the limitations of the setup that a real crane
has, all in 3ds Max. We will then model and texture every main part of the crane separately and assemble it all into a new scene ready to be rigged and refined.
Finally, we will test out our rig with an animation and render it as a preview.
Rapidgator
http://rg.to/file/fcf3d102460d6e1681fe291109358be6/DTModRigHydCr3dsMax.part1.rar.html
http://rg.to/file/dc4ef4a532c59d62c82090a9c393edb2/DTModRigHydCr3dsMax.part2.rar.html
http://rg.to/file/a410c6c5c6f5dc65b32cda7f40b13003/DTModRigHydCr3dsMax.part3.rar.html
http://rg.to/file/16420011063a498060986447bfff9325/DTModRigHydCr3dsMax.part4.rar.html
Uploaded
http://ul.to/e8lcrmpw
http://ul.to/e705nihg
http://ul.to/fc5jd0et
http://ul.to/h8yq9g0v
Duration 2h 24m Level Advanced Project Files Included 15FPS MP4 1.59GB
What you will learn
In this series of tutorials we will composite a shimmering fractal reveal in After Effects utilizing assets generated in Maya.We will be matchmoving a live action plate and creating proxy geometry of the scene in Maya. We will then export the geometry as OBJ assets and assemble them in After Effects. We will animate a fractal pattern to act as a matte for our transition and apply that to our 3D geometry using the Element 3D plug-in. To create vibrant glows we will be using plugins such as Radium, Sapphire, and Starglow whilst taking advantage of linear color-space to achieve the best results possible.
Rapidgator
http://rg.to/file/ccb2d6166b2dcb2247f6c44ee62eef9a/DTCreVibFracTransAE.part1.rar.html
http://rg.to/file/2af23d1740a60c17fb7b51ac12c888b5/DTCreVibFracTransAE.part2.rar.html
http://rg.to/file/f5f9407ce9ccaee911a1bf778768e4df/DTCreVibFracTransAE.part3.rar.html
http://rg.to/file/eb5e51ea45a0d9a5a56c02a0edfb33e9/DTCreVibFracTransAE.part4.rar.html
Filefactory
http://www.filefactory.com/file/c3ppe7ydnel/DTCreVibFracTransAE.part1.rar
http://www.filefactory.com/file/6xhi5pf1zyvb/DTCreVibFracTransAE.part2.rar
http://www.filefactory.com/file/2qvao9bu9jxr/DTCreVibFracTransAE.part3.rar
http://www.filefactory.com/file/1u300qn4ij57/DTCreVibFracTransAE.part4.rar
Uploaded
http://ul.to/5vevblaj
http://ul.to/zrm6o7d2
http://ul.to/8to7sa2f
http://ul.to/xov85fa2
Digital-Tutors – Animating Illustrator Logos in After Effects
NewBlue FX Video Essentials VII
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Lynda.com – Up and Running with Optical Flares
Duration 2h 24m Level Intermediate Project Files Included 15FPS MP4 1.81GB
In this series of tutorials, we will learn how to create a 3D text composition in CINEMA 4D which we then bring into After Effects and place in a live action shot. We’ll begin by learning the proper format to export text from Illustrator, so that it can be properly opened inside of CINEMA 4D. Then, we move onto working with splines and SweepNURBS in CINEMA 4D to create the look of the text. After we are satisfied with the look of our text, we move into After Effects where we begin to prepare the live action footage for compositing. There are many steps necessary for our clip to be ready to combine with the 3D text. Once we combine the two pieces, we learn lots of tips for further integrating the CINEMA 4D text with the lighting of the live action. We finish off by adding lens effects that are applied to both the 2Dand 3D aspects of the shot, making for a realistically composited final project.
Rapidgator
http://rg.to/file/6304e1c425054708f07ed95e72737896/DTCo3DTLAcCWAEC4D.part1.rar.html
http://rg.to/file/d10ca269b2ed0991803bc623152a4cd0/DTCo3DTLAcCWAEC4D.part2.rar.html
http://rg.to/file/cf9f0c5fcfe0868c28832e9ff1b27de2/DTCo3DTLAcCWAEC4D.part3.rar.html
http://rg.to/file/4505d1af601c866ad943e1e3742a1865/DTCo3DTLAcCWAEC4D.part4.rar.html
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This tutorial is for you if you are interested in learning the basics for using CINEWARE to unite your live action and CG elements. This CINEWARE workflow presents its own unique challenges as
well as huge speed increases that differ from the traditional compositing approach. By the end of this training, you will have the knowledge you need to begin incorporating 3D elements into live action footage in the fastest way possible.
GenArts particleIllusion 1.0.41 + Emitter’s for After Effects CS3-CC WIN/MAC – xforce