Lynda – Premiere Pro and After Effects: Enhancing Production Value

Posted by Users on 2014/03/25
Posted in: CG Releases, Downloads, Learning, Tutorials, Videos. Tagged: , , .

Premiere Pro and After Effects: Enhancing Production Value

Have you ever been handed substandard footage and have a client expect you to spin this straw into gold? In this course motion graphics veteran and After Effects expert Chris Meyer shares his favorite tricks to take boring footage and create a more professional compelling result. Most of these tricks can be performed inside Adobe Premiere Pro without the need for third-party effects. Some techniques also use After Effects taking advantage of Dynamic Link which makes the changes appear directly in your Premiere Pro timeline. The results add polish and production value?without missing deadlines or blowing the budget.
This course was created and produced by Chris and Trish Meyer. We are honored to host this content in our library.
Topics include:
[]Compositing footage shot on black
[]Tinting and color-balancing footage to change its mood and unify multiple clips
[]Adding a filmic glow
[]Introducing artificial lighting to add mystery and interest to a scene
[]Relighting existing footage
[]Using the Warp Stabilizer and Rolling Shutter R

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One comment on “Lynda – Premiere Pro and After Effects: Enhancing Production Value”

  1. COMPRESS PLEASE ALL TUTORIAL WITH MEDIACODER X265 + VORBIS. CHOICE VARIABLE BITRATE FOR X265, AFTER USE DEFAULT VIDEO QUALITY (25). USE DEFAULT PRESET (MEDIUM) TOO BECAUSE NOT WORK WITH X265 (NOT FOR ME). VORBIS YOU CAN USE AVERAGE BITRATE 64KBS (FOR TUTORIAL, VORBIS USE IN REAL LOW LIKE 35-65MAX KBPS). OUTPUT CHOICE MKV. AFTER IT, ONLY USE VLC FOR PLAYER. RESUME, I TRY EVERYTHING, BUT THIS IS THE BEST COMPRESS FOR TUTORIAL. THIS IS INSANE. TRY IT.

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