The Gnomon Workshop – ?ARCHETYPE? VFX Breakdown – Lighting and Rendering Pipeline
Gnomon
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Gnomon School – Master Classes 2011: Illustration for Entertainment: Pitching with Pictures with Cameron Davis
Advanced | 2h 55m | 906 MB | Software Used: Adobe Photoshop
In this class Cameron Davis shows his process of design and illustration to create an image to help pitch in feature animation. Discussing composition, color, lighting and design theory this step-by-step demo will cover how to achieve a desired mood to accompany a story or script. Cameron will also discuss his ideas on how to get noticed by major studios and how to get your art in front of the right eyeballs.
Home:
http://www.gnomonschool.com/master/2011
Download:
http://bytesbox.com/!/0kkuQOHx2PPYv4n/
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http://ul.to/folder/jqv2lg
Gnomon School – Master Classes 2011: GMUNKICKDOWN2011 – The Full Cycle of the Design & Directorial Process with GMUNK
Advanced | 2h 14m | 1.13 GB | Software Used: Finder
This class will thoroughly break apart the design and directorial processes of a few selected projects from GMUNK’s repertoire, first focusing on the importance of inspirational reference, mood boards, and proper pre-production through previz and storyboards. The session will then examine the technical aspects of the design, editorial, compositing and finishing aspects of each production, giving specific tips and insight into how to optimize your workflow.
The class will finish with a variety of industry musings from a seasoned veteran, and the best ways to stay inspired and engaged through constant research, reference and self-motivated initiative. The session will be fast-paced and content-heavy with a variety of invaluable insight from somebody who’s done this a few times.
Home:
http://www.gnomonschool.com/master/2011
Download:
http://bytesbox.com/!/B25gDeqWXDvpYER/
http://bytesbox.com/!/9UculV3LBuFyCCM/
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http://ul.to/folder/rxavsg
Gnomon School – Master Classes 2011: High Dynamic Range Imaging for Live Action Visual Effects with Phil Holland
Advanced | 1h 57m | 1.01 GB | Software Used: Adobe Photoshop, PTGui Pro, HDR Shop, Picturenaut
In this class Phil Holland will go over shooting and accurately processing high dynamic range (HDR) images for live action visual effects and creative print use. He’ll be covering photographing the images, constructing the final HDR image with off-the-shelf software and preparing 360 degree spherical HDR images for visual effects and image-based lighting use. Phil will also be sharing and discussing the techniques and camera rigs he has created for use on movie sets and in post-production houses over the last several years.
Home:
http://www.gnomonschool.com/master/2011
Download:
http://bytesbox.com/!/FLOOsILojO6VTuH/
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http://ul.to/folder/eiqeer
Gnomon School – Master Classes 2011: Making Archetype: The Short Film with Aaron Sims
Advanced | 3h 37m | 2.50 GB | Required Software: Autodesk Maya, Nuke, Final Cut Pro
In this class Aaron Sims will be discussing the creative process and challenges of creating an effects-heavy short film from ideation, to planning, to creation. The class will discuss the challenges, both creative and technical, involved in producing a film like Archetype. Aaron will demonstrate some of the techniques he used in the various pre-production, production, and post-production phases of the Archetype project.
Home:
http://www.gnomonschool.com/master/2011
Download:
http://bytesbox.com/!/cuNvN6YnGSeTMqz/
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http://ul.to/folder/xx2hzs
Gnomon School – Master Classes 2011: Concept Design: From Abstraction to Production with Aaron Limonick
Advanced | 4h 44m | 1.16 GB | Required Software: Adobe Photoshop
Focusing on the earliest stage of pre-production, inspiration becomes the artist’s most important weapon in pitching an idea to a director. In this class Aaron Limonick demonstrates bringing an abstract ink experiment to a realized conceptual sketch. The focus of the sketch will range from industrial design to creating a traditionally painted look and a textural surface within the digital medium.
While the demonstration will cover a multitude of digital painting techniques used to create concept art, it will also stress the importance of inspiration and the link between influences and the final product itself. Aaron will give his account of working as a concept artist in the entertainment industry, while searching for unique sources of imagery and creative stimulation.
Home:
http://www.gnomonschool.com/master/2011
Download:
http://bytesbox.com/!/s7Np78JoPWgmvbI/
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http://ul.to/folder/ww43pw
Gnomon School – Master Classes 2011: Realistic Creature Animation for Visual Effects with David Breaux
Advanced | 3h 06m | 670 MB | Required Software: Autodesk Maya
This course on creature animation for visual effects projects will focus on creating believable creature motion and performance through knowledge of real animals and using that knowledge to inform the movement of a fantasy creature. David Breaux will discuss some of his techniques for blocking, moving into rough animation, and finalization of a shot. He will also cover some approaches to thinking about the shots and tackling the multitude of issues that an animator is confronted with on a daily basis during production.
Home:
http://www.gnomonschool.com/master/2011
Download:
http://bytesbox.com/!/GSCwLrTrkB6aaln/
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http://ul.to/folder/n6tlwj
Gnomon School – Master Classes 2011: Advanced Visual Effects Techniques for Production with Wayne Hollingsworth
Advanced | 5h 13m | 1.49 GB | Required Software: Autodesk Maya, Nuke
In this class Wayne will be presenting three advanced fluid simulation and dynamic effects production techniques. The first technique will demonstrate how to set up a truly believable explosion. He will then move on to simulating a burning vehicle, introducing props and assets into the simulation. Lastly Wayne will show you how to correctly create composites for your fluid simulation by breaking them down into RGB passes.
Home:
http://www.gnomonschool.com/master/2011
Download:
http://bytesbox.com/!/H81IAMCUM2tj1am/
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http://ul.to/folder/mtigsf
